Todd, a straight ally to the LGBTQ+ community, notes that his family saved an obit of an aunt who died in the 1950s in Iowa. Meet the Press host Chuck Todd, courtesy NBC Universal “It touched me in a way I didn’t expect.” Of all the documentaries featured, Coded “is easily my favorite,” he says. This detail struck a chord with Meet the Press host Chuck Todd, who with his NBC News colleagues will introduce and provide commentary on the films at the festival. Not his relationship with Beach, however - it endured until Leyendecker’s death in 1951, although the artist’s obituary acknowledged Beach only as his business associate. But the Great Depression of the 1930s produced both economic setbacks and increasing conservatism that brought Leyendecker’s heyday to an end. He and Beach shared a mansion in the suburbs of New York, where they gave parties as lavish as those described in Gatsby, and their guests even included Scott and Zelda Fitzgerald. And the hint of homoeroticism came at an appropriate time while society as large remained homophobic, in the 1920s queer people were finding enclaves where they could be themselves, enjoying an unprecedented degree of freedom.įor a while, Leyendecker knew both fame and fortune.
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Gay men responded to his coded messages - the looks exchanged between men, the awareness of the body under the fashionable clothes. Straight women admired the gorgeous men he depicted, and straight men wanted to emulate them. Leyendecker’s artwork found a ready audience. It premiered in June at the Tribeca Film Festival in New York, where it won Best Documentary Short, and Thursday it will be featured in the Meet the Press Film Festival of short documentaries, part of AFI Fest in Los Angeles, with both in-person and online screenings. Now Leyendecker is the subject of a documentary, Coded: The Hidden Love of J.C. He created the dominant aesthetic of the era, and, as a gay man, worked coded homoeroticism into many of his illustrations, offering a lesson that advertisers still found useful at the end of the 20th century. You may not have heard of Leyendecker, but he was the leading commercial artist of the 1910s and ’20s, in demand for high-end advertisements and the covers of popular magazines.
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Leyendecker: a beautiful man in evening clothes dancing with a beautiful woman in a flapper dress, or two beautiful men dressed to play golf or some other sport, with their muscular frames obvious under their expensive clothes. Scott Fitzgerald tale of the Jazz Age, it probably would look like a painting by J.C. If you envision a scene from The Great Gatsby or any other F.